The Suit, Young Vic

I cannot recall my first visit to the Young Vic, though my parents insist I have been to this trendy theatre before many years ago. Arriving for The Suit press night, the theatre and restaurant were heaving, enthusiastic arty types spilling out into the street to drink beer in the unusually warm air.

The theatre is set in the round, a makeshift set with a few essential props. This short play originally known as Le Costume, was written in South Africa in the 50s by a brilliant black author, Can Themba. The Suit is a simple but progressive story, with themes and ideas that still feel relevant today. Performed in French for most of its life, The Suit now returns in an English translation – the words interspersed with a varied selection of music.

This production uses physical theatre ideas to project the main themes, a grey suit on a hanger is moved emphatically around the stage. Although I’m not usually a fan of physical theatre, the movement and mime worked well in The Suit and was mostly believable, I did find the mock eating a little ridiculous though.

Directed by the very influential Peter Brook, the production is fluid and sharp. The acting was mostly great, very well timed and often hilarious. Nonhlanhla Kheswa is statuesque and beautiful, although I found her singing much more striking than her spoken voice. Her husband Phillimore is played by William Nadylam, a charismatic mover and shaker who occasionally seemed a little camp for his role as the angry male protagonist. The highlight performance for me came from Jared McNeill who acted beautifully and sensitively, his facial expressiveness always drew my eye straight to him.

I was particularly moved by the soulful music and singing featured throughout this play; beautiful melodies and affecting rhythms found in music from all different sources. I loved the renditions of Summertime, Strange Fruit and I’m Feeling Good, old blues classics that sung well are heartbreakingly touching. Both Nonhlanhla Kheswa and Jared McNeill have gorgeous voices, singing with spot on intonation and rich sultry tone. The musicians should be commended on their thoughtful and talented playing. There is something magical about the sound of an accordion, muted trumpet and guitar – the musicians bought the story to life.
The Suit is a short and vibrant production that I thoroughly enjoyed. I feel delighted to be reintroduced to the Young Vic and their exciting repertoire.

The Suit continues until 16 June, book here.