NEW Matiere Premiere London Store

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new shop

I have an emotional relationship with perfume, it is usually something I invest in when I travel and want to remember a special trip. Recently I’ve loved Xinu from Mexico City, Strange Invisible from LA’s Venice Beach and Fueguia 1833’s collaboration with Fife Arms in Scotland. It’s rare I fall in love with a scent on home turf… but when I heard Matiere Premiere’s story, and founder Aurélien Guichard’s dedication to the brand, I was completely engrossed. So when I discovered they were opening their first London store, I was one of the first through the doors.

In their own words… “Matiere Premiere creates its perfumes from an overdose of a central natural material, cultivated or chosen for its unique strength. Its raw beauty and texture are brought to the forefront, without compromise or artifice.” Aurélien has created a radical perfumery where he cultivates and picks many of his own ingredients (think roses in the flower fields of Grasse) ensuring a scent that is both powerful and alluring, it truly lingers on your skin all day.

In the sleek Scandinavian-style store the minimalist design allows the product to command all the attention. Smell the raw pure ingredients (I fell hard for Coffee Extract from Venezuela), try the perfumes and get invested in the beautiful range of skin and hair products, and the irresistible candles ~ I highly recommend ‘Rose de Mai’ for a flavour of Provence at home.

I recommend you visit to find yourself a new perfume for Spring ~ ‘Vanilla Powder’ is the most iconic in the collection – a sweet and creamy scent that you can’t help but fall in love with, while ‘Encens Suave’ is a more mellow fragrance that reminded me of incense in church. Or pop in and find a gift for someone special with the genius ‘Discovery Set’ ~ you can hand-pick a selection of MP miniatures, and then the recipient can try them out and choose their favourite to invest in.

The Matiere Premiere perfumes are available to buy online, or in store at the new Covent Garden store. More information here.

OVO, Cirque du Soleil, Royal Albert Hall

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Cirque du soleil

Everyone remembers their first Cirque du Soleil… I was eight and lucky enough to go with my fun (and generous) grandfather who loved treating his grandchildren to amazing experiences. My siblings and I were spellbound. It is a reaction I have heard echoed in my friend’s accounts of their first Cirque productions – many of these friends now work in theatre. There is quite simply nothing like the scale and spectacle of these incredible circus shows.

OVO is the latest Cirque show to grace the epic Royal Albert Hall stage in London. Watching anything in the round is more immersive but for these circus showcases it works particularly well in this format. The show is inspired by the insect world, tiny creatures have been enlarged and exaggerated into other-worldly animalistic acrobats, larger-than-life comedians, dancers and singers.

I loved the contrast of physical, high-energy acts (bouncing and catapulting high into the air) and the quieter more contemplative performances, immaculate contortion and careful balancing tight-rope walkers. As always the balance is beautiful and the narrative gently ties the acts together in a cohesive show that everyone, of any age will enjoy.

Thirty years on from my first Cirque du Soleil and I was back in the auditorium treating my two little boys to their first, exhilarating Cirque experience, what a special, special show to witness once again, but this time with my fascinated little kids in tow.

More information on OVO here.

HMS Pinafore, ENO

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HMS Pinafore, ENO

As the orchestra kicked off the overture to Gilbert and Sullivan’s cheerful operetta, I racked my brains to where and when I had heard this music last, I felt like I knew every melody already. It occurred to me later that I must have performed in a production of HMS during my childhood singing days, though even those who aren’t acquainted with the music will quickly feel familiar – it is an upbeat and repetitive score that you cannot help but tap your foot along to.

The dictionary defines an operetta as ‘a short opera, usually on a light or humorous theme and typically having spoken dialogue’. In contrast to the heavier, classic tragic operas these compositions will usually attract a more varied audience, despite the old-fashioned nature of the humour. For this ENO revival, directed by Cal McCrystal, there is an extra element of fun with the addition of well-known TV presenter and comedian, Mel Giedroyc, who adds modern quips and slapstick silliness to the show.

We join Captain Corcoran and his daughter Josephine as they journey the seas on board the HMS Pinafore, navigating the ultimate conundrum of duty vs love. I felt particularly safe with the vocal abilities of Eleanor Sanderson-Nash as Josephine and Marcus Farnsworth as the Boatswain, but was less enamoured with Rhonda Browne’s boisterous Buttercup and Bethan Langford’s rendition of Hebe, which was just not loud enough. The comedic timing and movement throughout was brilliant and full of energy, and choreographer Lizzi Gee should feel very proud of the cast – it is not always the case that an operatic ensemble can dance a complicated routine in time and with confidence! Frivolous colour and nautical jolliness is added by takis’ costumes and set design.

As is always the case, the orchestra play with masterful precision, led by conductor Matthew Kofi Waldren in the pit. It was a joy to witness this production of HMS Pinafore alongside my grandmother, who like me, trained to be a singer. And at a time when theatre (and opera in particular) feels so precarious it was heart-warming to see the London Coliseum full to the rafters with audience members young and old.

Continues at The Coliseum until 7th February, book here.

(I received press tickets to this production)