THOROUGHLY MODERN MAN: Gods and Monsters, Southwark Playhouse

Gods and Monsters, based on Christopher Bram’s novel Father Of Frankenstein, tells the story of James Whale, the director of Show Boat, Journey’s End and classic horror films Frankenstein and Bride Of Frankenstein. Following a series of strokes, he is living out his final days in solitude and torment, with his once-sharp mind increasingly clouded with nostalgia and confusion.

His sexual desires now rule what is left of his mind, and lusty exchanges with a young film student interviewer land him in hospital again. Cooped up with his housekeeper Maria, and cut off from society, his life changes when he attempts to manufacture a friendship with the ruggedly handsome gardener Clayton Boone, who agrees to have his portrait drawn by Whale. It is from this moment on that events begin to quicken and spiral.

Ian Gelder’s performance as Whale is astonishing, expertly capturing the full range of emotions felt by a fading elder statesman. Bluster competes against frailty, with gallows humour punctuating the frustration and resignation of a man living his final days.

His interplay with fiercely religious Maria, played by Lachele Carl, show glimpses of his previous mental agility, and Maria’s unshakeable conviction that “Mister Jimmy” is bound irrevocably for hell mixes with a maternal tolerance of his vices, leading to a complex dynamic which brings its fair share of humour to an otherwise dark subject matter.

Will Austin, playing Boone, the muscle-bound object of Whale’s desire, delivers a nuanced performance of a simple hometown boy faced with an exotic unknown of Whale’s sexuality, which he struggles to reconcile with their friendship. His physical likeness to the Monster about which Whale wrote so movingly must not be by accident, and adds another layer to the author’s lusting.

Throughout the drama, Whale is tormented by flashbacks of significant events of his youth, from Dudley to the Trenches of the Great War, both involving innocent infatuations. These weave in and out of the present-day action on stage, brought to life by Joey Phillips and Will Rastell. These two actors also play Whale’s doctor and Kay, the film student, and their skill and sensitivity make Whale’s decline all the more heart breaking, as he contemplates a past that seems as real as anything, but that only he can see.

The staging at the Southwark Playhouse is such that as an audience one practically spills down into the stage from three sides, and as such creates an experience at times intimate and occasionally intrusive, as we witness the slow unravelling of a creative genius faced with the slow demise of his very identity. I advise you to catch it while you can, with its delicate consideration of universally applicable themes.

Continues at Southwark Playhouse until 7 March, book tickets here.

Written by a Thoroughly Modern Man, James Bomford.

THOROUGHLY MODERN MAN: Pukka Pimms

Just a brief message this time dear reader. Last night I had a delicious curry. Nothing remarkable in that, I hear you cry. Except as I struggled into the pop-up location out of the Baltic winds, I was greeted with a Pimms. “But Jamie”, I hear you cry, “that’s crazy talk, summer is but a distant memory, as we shiver here in the despairing depths of winter”.

Well that’s where you’re wrong. Like curry, but hate beer? Sounds like you’ve been stuck in the past over what to drink with your jalfrezi. And far from using your drink as a shield against your food, “taking the edge off the heat” or “calming your mouth down”, the blend of fruits and herbs that makes our national fruity indulgence unique marries perfectly with beautiful complex curry spicing.

Don’t believe me? Well you can go and see for yourself, because this Saturday they’re giving away cans of Pimms and serving Indian-spiced snacks to see if you agree with me and the good people at Pimms that it really is Pukka. #PukkaPimms is located for today only at the top of the Brick Lane “Curry Curve”, 133 Bethnal Green Road, and I would urge you to get down from 12pm to 6pm and turn make an Indian summer of this horrible winter.

Written by a Thoroughly Modern Man, James Bomford.

THOROUGHLY MODERN MAN: Street food at Lanes of London, Mayfair

Street food is a big deal on the capital’s foodie horizon, as vans selling hotdogs, burgers, and other artisanal efforts have been popping up across London in recent years. Lanes of London have decided to launch their own interpretation of street food, with the pleasing twist of having these “small dishes” represent the many international cuisines present in London’s culinary landscape. Among the six my intrepid companion and I sampled (yes, we felt greedy), we had Indian, Persian, Asian fusion and the good old US of A represented on plates, and many were delicious. Highlight of the meal were the beef brisket sliders with roasted bone marrow and horseradish cream – be prepared to order another round, they were that succulent and flavourful. The sliders are pictured above with the sweet smoky duck hash and fried egg, which also hit some delightful flavour notes, although tested the definition of ‘street food’ – it is served in a hot skillet, which I for one would be unwilling to carry around, regardless of how delicious its contents. The salad of green papaya, chilli, pork, prawns and peanuts, as well as being an alliterative pleasure to say, was a culinary pleasure to eat, and a textural pleasure to crunch. In fact it looks so appetising as it arrives that unfortunately we cannot offer any photos of that particular dish. Our apologies, dear reader. Other arrivals at our table included the token vegetable dish of salt-baked pumpkin with goat’s cheese and black quinoa, lamb koftas paired suitably with smoked aubergine, and a particularly well-balanced samosa chat, both in terms of its spicing, and how it perched atop chickpeas, mint chutney and yoghurt, finished with an artful sprinkling of pomegranate seeds. The relationship of powerful flavours in the latter in particular was well-marshalled by the kitchen, and served up beautifully.

As we had dined so greedily, we thought it only right to order dessert in matching style. Although I would have considered it blasphemy to think that anything might top the sliders, “home made jammie dodgers” did. The home baked shortbread was crumbling and buttery, the strawberry jam’s sweetness cut with just enough homemade strawberry liqueur, with fresh strawberries & cream included, because why not. Our second dessert (all this, of course, we do to inform you on as much of the menu as possible) was a chocolate torte with clotted cream ice cream, which was rich and glossy with an absolute guarantee of a nap 40 minutes after finishing. Although William Sitwell might rant against the rectangular black board on which the torte arrives, even he would struggle to find much wrong with the taste. As is often the case with hotel restaurants, the atmosphere was not buzzing, but that’s what interesting friends are for. The food arriving at your table, however, may well leave you silently admiring it.

More information and book a table here: www.lanesoflondon.com

Written by a Thoroughly Modern Man, James Bomford.