THOROUGHLY MODERN MAN: An Evening with Sylvester Stallone, The London Palladium

Photo credit: Jonathan Brady/PA

There are few pieces of music more iconic, more guaranteed to provoke a reaction than Eye of the Tiger. How many of you have trained, jogged or self-improved in some way with it blaring from your earphones, or accompanying the imaginary progress-montage playing in your head? I confess I have not heard this song in years, so it was somewhat surreal to hear it again, as Sylvester Stallone strode out onto the stage of The London Palladium. Greeting him was the inescapable Jonathan Ross, and this began one of the most bizarre and surprising hours of my life.

Time and action sequences may have weathered the man’s complexion to a point somewhere between handbag and tree bark, but he remains a man with one of the most impressive Hollywood careers to date. Rocky earned him the honour of becoming one of only three men to be nominated for Best Actor and Best Screenplay for the same film, alongside Orson Welles and Charlie Chaplin. Try finding another sentence which applies to all three of them. Writer, director, producer, it became clear that Sly is much more than we might assume from his physique.

The interview rolled happily from topic to topic, guided by Ross’s now expert hand. It touched on Stallone’s childhood in New York’s infamous Hell’s Kitchen neighbourhood, where his mother danced at clubs, ran a gym (named barbella’s) and promoted female wrestling. Covered also was Stallone’s time working in cinemas as an usher, where his obsession with writing, and the structure of films developed.

Rivalry with Arnie, comparing himself to De Niro, and Kirk Douglas’s rewrite suggestions for First Blood were all topics of discussion. The final segment of the evening saw questions from the audience, which saw me put well and truly in my place. The question regarded whether Stallone might at some point have a crack at some Shakespeare, and if so then which. No sooner had I finished expressing my doubts over how much of The Bard’s work Sly might know to my intrepid photographer than the mahogany man strode across the stage and delivered a perfect stream of Richard III. Consider this my humble apology, Mr Stallone.

“There’s not that much more I can do in action, except explode”. While this is true, there is so many more strings to Stallone’s bow. He is in a new film, Grudge Match, starring opposite De Niro. If you need a new fix of Sly, then by all means go. Judging by the trailer, however, I shall be dusting off the Rambo and Rocky box sets.

Written by a Thoroughly Modern Man, James Bomford.

The Tales of Hoffman, Oslo Operahuset

Oslo Operahuset is perhaps the most impressive piece of architecture in Norway’s capital city. Sitting precariously on the water’s edge, this bold, jagged glass and marble structure is admired for its glacier-like appearance and beautiful oak-lined auditorium. Designed by architects Snøhetta, the opera house was completed in 2007, ahead of schedule and under budget. Since opening it has received various awards and accolades and is also the home to two fine restaurants, Brasserie Sanguine and Argent Restaurant.

Visiting the opera house on New Year’s Eve, there was an air of excitement and anticipation in the foyer. This production of The Tales of Hoffman is extravagant and dramatic. The show was perhaps the most visually shocking and impressive I have ever seen. Offenbach’s only opera is often mistaken for a fairy tale for children; this production showcases it as quite the opposite, ‘a grotesque-romantic portrayal of an alcoholic poet fleeing from the realities of life’. Wildly modern, almost futuristic in style, this rendition, directed by Per Boye Hansen aims to thrill and disgust.

The acoustics are startling in the grand auditorium, every note is crisp and clear, projected to the very furthest corners of the theatre. Despite the nonsensical storyline, I felt captivated throughout – the realisation of this crazy tale is striking and memorable. There are some magical moments, both technically and emotionally… particularly memorable perhaps is the live white dove on stage, who seems to appear from the body of the dying woman, Giulietta.

Pulling off this show is a great feat and the cast truly excel, immersing themselves entirely in the messed up dreamworld of Hoffman.

I highly recommend a visit to this spectacular opera house, the building is beautiful and the productions completely mesmerising.

More information and book to see an opera here: operaen.no

Many thanks to Oslo Tourist board for their help with this trip. More information here.

www.visitoslo.com

www.visitnorway.com/uk

The Wind in the Willows, Duchess Theatre

At Christmas many charming productions reinstate themselves after their summer hibernation. One such show is the Royal Opera House‘s ‘The Wind in the Willows‘ which is currently enjoying a run at its new home, The Duchess Theatre. This short show was first performed in the Linbury Theatre in 2002, and after four sold-out runs has now transferred to London’s glittering West End.

Kenneth Grahame’s popular tale is loved by both young and old. Originally written for his son (known affectionately as ‘Mouse’), it was the author’s only lasting literary success. Often realised on stage, this production, directed and choreographed by Will Tuckett, combines dance, music, puppetry and theatre.

The famed national treasure Tony Robinson acts as Kenneth Grahame and is a wise and animated storyteller from start to finish. He follows Ratty, Badger, Mole, and Toad on their adventures on the riverbank. Cris Penfold is wonderfully manic as Toad of Toad Hall and Clemmie Sveaas is particularly endearing as the timid but thoughtful Mole.

The light and lyrical music is written by Martin Ward in the style of George Butterworth, with folky melodies that perfectly evoke the atmosphere of the tranquil river bank, and faster passages for the more frantic scenes.

This production of The Wind in the Willows is an enjoyable show for all the family – escape the cold streets of London and take a trip down the river with Ratty and friends.

The Wind in the Willows continues until February 1st 2014, more information and book here.