Kooza, Cirque du Soleil Premiere, Royal Albert Hall

Sitting in the great Royal Albert Hall on 8th January with Jeremy Clarkson on my right, Darcy Bussell on my left and Holly Valance (avec Candy Bro Beau) behind,  I felt sure that I had the hottest ticket in London. Next morning I was reassured further by my mother’s reports from the Daily Mail website… celebrities turned up in their masses to the Cirque du Soleil premiere… well why would you turn down a golden ticket to see the greatest circus show in the world?

Kooza is a story of opposites: love and hate, life and death, fear and wonder. Loosely based around the world of a clown, the narrative begins and ends with notions of innocence and trickery. Like most of the Cirque shows, the storyline is enigmatic and rather nonsensical and soon becomes lost. In fact it is impossible to focus on anything logical when your eyes and ears are so involved in the acts on stage, praying silently they’ll survive the next jump.

As ever the production is beautifully realised, perfectly poetic and looks magically surreal from start to finish. They create another world that feels so far removed from everyday life, and gives every audience member a few hours of euphoric escapism. Music is played live on stage by an energetic band of musicians, adding to the dramatic climaxes. The Royal Albert Hall provides an epic canvas for the production and the stage has been customised wonderfully to allow for the extensive set design. Stephane Roy evokes memories of colourful carnivals and circuses of yesteryear, claiming it is “a genuine return to the roots of Cirque du Soleil”.

There is a good mix of talents exhibited in Zooza with the familiar ‘circus’ traditions all displayed through the acts: mind-bogglingly strange contortionists, a daring trapeze artist and miraculous tightrope walkers/ cyclists/ dancers. The clowning around became a little tiresome, especially at the start while we waited for the final arrivals from the red carpet to take their seats. When you consider the virtuosic gymnastics, it is hardly surprising that the comical acts pale in comparison.

The most electrifying act of the show is undoubtedly the huge ‘wheel of death’. A staggering, scary, revolving metal contraption balanced and set in motion by two incredibly brave men. As one runs faster the other jumps, twists and clings to the spinning wheel, seemingly moments away from a distrastrous fall. The crowd gasped and I felt my palms grow sweaty and my throat dry as each turn increased in difficulty and danger. I loved the final Teeterboard act too. A talented group of performers take it in turns to catapult from a giant seesaw, hurtling up into the air, sometimes with precarious stilts attached to their feet, they land immaculately after numerous flips and turns.

Cirque du Soleil continues to push the boundaries of human capability with yet another hit show of fantasy, thrills and breathtaking acrobatics, all whilst creating a display that is visually inspiring and musically exquisite. I never fail to be amazed by this impossibly brilliant company. Bravo.

Kooza continues until 14th February, more information and buy tickets here.

Karaoke Box, Smithfields

Sometimes when I review I am granted a ‘plus one’, but never before have I been invited with a ‘plus eleven’! At Karaoke Box Smithfields the more the merrier… there are sixteen private karaoke rooms of varying capacities (the largest can hold up to 40 people). The privacy of the rooms encourages guests to sing their hearts out without the embarrassment of strangers sniggering at nearby tables.

It all seemed pretty high tech to me, with flatscreen TVs, surround sound, wireless microphones and dimmer lights. A red button can be used for waitress service and guests are able to control the sound levels themselves. The song selection is vast and varied… over 9,000 songs searchable by artist or title. Those not in charge of the Karaoke playlist can flick through a paper booklet to find their favourites. Later I found out, amazingly, that the songs are also available in French, Spanish, Swedish and German, and five select rooms even have a Japanese option… ideal for multilingual show-offs.

As a singer, and self-confessed diva, this review was ideal for me, but finding friends willing to partake was more of challenge; needless to say most downed a few beers en route to the Smithfields venue. The Dutch courage must have worked because everyone seemed to be in high spirits and fine voice when we arrived at our booth. The first Friday of 2013 and Karaoke Box was silent and empty when my raucous group turned up at 8pm. Located in the city, this club has most of its business during the week, Fridays are quiet in comparison. It suited us perfectly, exotic fruity cocktails and oven-hot thin crust pizzas arrived without delay.

We spent a fun-filled three hours in the booth, chatting, singing, eating and drinking. The staff were efficient and helpful throughout and made the whole evening run smoothly.
Highlights of the evening included: a punchy version of Vanilla Ice, the girls’ renditions of Beyonce, Spice Girls and Cher classics, and some brilliantly brave boys attempting Eminem and Red Hot Chilli Peppers. And then of course there were all the usual Karaoke favourites, a Grease medley and even a Christmas duet.

With some throats hoarse, at 11pm it was time to stop though I would have happily continued singing all night. With facilities this good and a menu of good grub and cocktails to match, Karaoke Box is the ideal venue for any party or celebration. Or better still, just an excuse to sing your heart out.

Room prices vary according to size. For an hour costs range from £20 for a four person room to £150 for the fifteen person VIP area.

More information and to book here: http://karaokebox.co.uk/smithfield/

Viva Forever!, Piccadilly Theatre

As a devoted Spice Girls fan, I had big expectations for the new Viva Forever musical. And despite the fond revival of many fabulous and familiar pop songs the script is a disappointing vehicle for the band’s hits. Much like We Will Rock You and Mamma Mia, Viva Forever is a musical based on the songs, this time of the Spice Girls, and not a story about them. I soon began to wonder if the latter would have made a better show.

I have always rated Jennifer Saunders and her hilarious contribution to British comedy, so I really expected more from her script that is largely unfunny and unconvincing. We watch X-Factor come to life on stage – the banter, the drama, the judges and the music. Focused on the journey of young Viva’s career to stardom the narrative follows her ups and downs, emphasising the inevitable cost of fame, and how it affects the important relationships in her life. The Spice Girls songs are slotted in with varying levels of relevance, some work (a brilliantly funny placement of Two Become One) and some really don’t.

The cast are good, with a few stand out performances. It is a tricky task to bring this narrative and weak characters to life, and they manage to make much of the show entertaining when credibility is not an option. I particularly noticed the wonderful Hatty Preston who brings life to the role of Minty, she has exceptional comic timing and my eye was drawn to her whenever she was on stage. The mums are great too, Sally Ann Triplett as Lauren and Lucy Montgomery as Suzi. Leading lady Hannah John-Kamen (Viva) has a great voice but I found the constant hand gestures a real distraction.

The best part of the evening comes at the end, after the curtain call, when the whole cast dance and sing merrily to the Spice Girls’ biggest hits. At last it feels like a celebration of the music.

I hope Viva Forever! doesn’t disappoint too many die-hard Spice Girls fans. Though the narrative is a flop, I must admit I enjoy dancing in my seat and reminiscing about the girl band who were so important to me in my childhood.

Viva Forever continues until 1 June 2013, book here.