Category Archives: Music

THOROUGHLY MODERN MAN: David Bowie is,V&A

Posted on by

David Bowie is… is a disturbing exhibition.

For a start there is the large number of greying glam rockers feeling the agonies of unrequited love all over again as they stand mesmerised by Bowie costumes, videos and portraits. Then there is the problem of everybody wearing audio guides and shuffling around in the near-darkness like a troupe of zombies from some Diamond Dogs style dystopia. And there is the fact that the concentration of the Bowie phenomenon was the 1970s, forty years ago and there have been some less edifying creative moments since – this is addressed by ornamenting the full length of the show with 70s highlights thereby confusing any chronology and sense of evolution.

This is a new kind of exhibition: an examination of a single living individual as cultural catalyst and all round icon. There are not many artists who warrant such attention. David Bowie does. The blanket media coverage of his creative rebirth and the simultaneous hype surrounding this show have produced a dazzling glare illuminating, rather than over-exposing, his significance as musician, fashion pioneer and popular conceptualist.

The outfits are still extraordinary, the music is still inspiring and the man still appears exotically beautiful. Everybody is seduced by his art once again. However it is the way he redefined gender that is probably his most important legacy. Is there any more widely cited televisual epiphany than the draping of Bowie’s arm over Mick Ronson’s shoulder on Top of the Pops? That is the closest we have come to an extraterrestrial invasion – the starman blew our minds.

Continues until 11 August 2013, more information and become and V&A member here.

Written by a Thoroughly Modern Man, Chris Kenny.

Lady Rizo, Soho Theatre

Posted on by

Lady Rizo is my kinda girl…feisty, fun and fabulous. Fresh from New York’s cabaret scene, she has arrived in England to make her London debut at the Soho Theatre.

I was initially attracted to Lady Rizo because of her name… any who know me well will know about my obsession with Grease and my ongoing ambition to play the rebellious Rizzo. When I researched Lady Rizo’s show, I realised there was more than just her name to love. She is a ballsy comedienne and chanteuse from America with fierce attitude, a wacky sense of humour, sensational vocal talent and an addictively daring character. She has an undeniable ability to entertain.

The show starts at 9.45 pm which is quite late for a weeknight, but I left more awake than when I arrived: her wit and wonderfulness leave you buzzing. I will admit we didn’t always ‘get’ the jokes, but the music, wow, it was incredible. Of the songs she performed, some are original compositions, others hauntingly beautiful covers. She effortlessly belts and bellows into the microphone, with exceptional tone and not a note out of tune… impressive considering the vocal range she displays.

It is a raucous night and audience members should expect to be fully included… so if you’re shy don’t sit in the front row or by the aisle! Sitting within easy reach I was the subject of one of her first jokes as she removed my glasses (with difficulty) and mucked around with my hair. Funnier though was when she picked a redhead to help her change outfit while asking her about how she lost her virginity. It sounds seedy but Lady Rizo manages to add glitz and humour to every situation and had the whole venue in fits of laughter.

On Wednesday 27th February we were lucky enough to have Noisettes singer, Shingai Shoniwa in the audience. She whooped and wolf whistled enthusiastically for her friend throughout until eventually she was asked up on stage to help Rizo with her spectacular encore. It was an excellent extra.

A comic who can move, a singer who can joke and an entertainer who can inspire, Rizo is a very special lady, catch her while you can at the Soho Theatre.

More information here.

Barber of Seville, ENO

Posted on by

Even after reading the synopsis twice the ridiculous narrative of Rossini’s famous Barber of Seville makes little sense. But let’s be honest people flock to see this opera for the magnificent music not for the story.

Having said that, the ENO’s revival is terribly funny and uses the nuances of the complicated tale to include hilariously entertaining episodes. Although the  production is not in modern dress, the modernised English lyrics are extremely clever and fit in perfectly with the comical operetta style.

Celebrating its 25th anniversary year, Jonathan Miller’s classic staging of Rossini’s masterpiece is back at the Coliseum, in my opinion better than ever. The petite cast work brilliantly together to present a seamless performance of music and drama, and revival director Peter Relton has managed to give a new lease of life to Miller’s original version.

The show starts slowly but soon gathers momentum. I was captivated throughout, my attention completely controlled by the characters on stage. Benedict Nelson is a witty and charismatic Figaro, and his voice is elegant and charming. My guest adored David Soar’s depiction of Don Basilio and we both loved Andrew Shore’s magnificently energetic and clever performance as Doctor Bartolo. However it is the leading lady who steals the show. Lucy Crowe sparkles as the coloratura diva, Rosina. Her voice soars and pierces the top stratospheric notes with staggering ease and impressive dexterity. Along with her natural acting ability and good looks, she is an absolute pleasure to watch.

Surprisingly for the first time I found the ENO orchestra a little sluggish under the command of Jaime Martin, a conductor I didn’t recognise. They did pick up the passion once the familiar arias swung into action. Visually the production is a joy, though we would have appreciated perhaps one more scene change. Costumes may be cumbersome for the cast but are worth the effort as they look gorgeous under the lights.

I am always interested in the ENO’s new compositions, but there is only so much tragedy us opera reviewers can cope with… in my opinion it is much more fun skipping home still singing the marvellous tunes of Rossini’s great comic masterpiece.

Continues until Sunday 17 March, book here.