Titanic the musical, Southwark Playhouse

It was my first visit to the temporary, new location of Southwark Playhouse… despite it’s convenient location moments away from Elephant & Castle tube station, I was running seriously late. Sweating and panting, I squeezed into an empty seat in the packed auditorium. I had no idea what to expect.

The cast exploded onto the stage, belting out in big, passionate voices, striding about keen to convey their message. This somewhat barren theatre suddenly glowed with life and enthusiasm. Titanic is a bold musical with music and lyrics by Maury Yeston adapted from a book by Peter Stone. When it opened on Broadway in 1997, although a lavish and large production it was a commercial flop despite winning five Tony Awards including the award for Best Musical. Here, Thom Southerland’s production is rather more minimal with a sparse set and few props.

We watch how this great ship thrills or disappoints individual characters of different ages and circumstances. Young lovers, middle class couples, and perhaps most touching (and convincing), the elderly couple Mr and Mrs Strauss who stick together until the end. The music reminded me immediately of Les Miserables, with big emotion and vigour. The cast rise to the challenge and the ensemble sound is particularly impressive. Southerland’s direction is of the highest quality creating a show which paints this terrible tale with conviction and courage.

Cementing this important historical moment in the great American songbook, Maury Yeston’s version of Titanic is a triumph and a must for all musical theatre fans.

Titantic continues until 31 August, book here.

southwarkplayhouse.co.uk/the-large/titanic

Limbo, Southbank

After seeing the mentalist Derren Brown I have decided that some kind of superhuman powers do actually exist. Limbo showcases superhuman talents of other kinds: physical strength, bravery and daring creativity. I’ve seen many of the Southbank’s Udderbelly summer productions but this show was significantly the most impressive and engaging.

With less of the clowning around and more hardcore awe-inspiring acts, it is impossible not to be amazed by these crazy artists as they eat fire, swing backwards on poles over the audience and contort and balance with unbelievable facility and confidence.

The band are magnificent too, providing a wacky soundtrack to the acts. Composer and musical director Gene ‘Sxip’ Shirey has created an experimental and imaginative score with contributions from various cast members. He uses a harmonica, tuba and megaphone throughout adding a sense of mayhem to the action.

I could highlight the individual performers but really a show like Limbo is all about the ensemble and magical teamwork. Each using their own special talents, the cast members create a 75 minute show that is addictively good. Big ideas on a small scale always carry a risk but Limbo triumph with staggering dexterity and wonderful charm.

Continues until Sunday 29 September, more information here.

www.southbankcentre.co.uk/whatson/limbo

Merrily We Roll Along, Harold Pinter Theatre

Merrily We Roll Along is a Sondheim classic, one of the more accessible pieces written by this genius of 20th Century music. The current production at the Harold Pinter Theatre in London seems to be delighting audiences every night.

The story runs in reverse zooming back through the life of a film producer, Franklin Shepard, showing all the celebrations, mishaps and disasters. It is really the tale of three best friends and how their lives and friendships change as they grow older and more cynical.

The music is vintage Sondheim, quirky and surprising with lovely recurring melodies and satisfying harmonies. It is an inventive and creative Sonia Freidman revival. The production is brilliantly cast with particularly touching performances from Jenna Russell as Mary and Damian Humbley as Charley.

A believable and thrilling musical by Sondheim that feels more relevant than ever for today’s fast moving stardom and wealth-obsessed culture.