The Wind in the Willows, Duchess Theatre

At Christmas many charming productions reinstate themselves after their summer hibernation. One such show is the Royal Opera House‘s ‘The Wind in the Willows‘ which is currently enjoying a run at its new home, The Duchess Theatre. This short show was first performed in the Linbury Theatre in 2002, and after four sold-out runs has now transferred to London’s glittering West End.

Kenneth Grahame’s popular tale is loved by both young and old. Originally written for his son (known affectionately as ‘Mouse’), it was the author’s only lasting literary success. Often realised on stage, this production, directed and choreographed by Will Tuckett, combines dance, music, puppetry and theatre.

The famed national treasure Tony Robinson acts as Kenneth Grahame and is a wise and animated storyteller from start to finish. He follows Ratty, Badger, Mole, and Toad on their adventures on the riverbank. Cris Penfold is wonderfully manic as Toad of Toad Hall and Clemmie Sveaas is particularly endearing as the timid but thoughtful Mole.

The light and lyrical music is written by Martin Ward in the style of George Butterworth, with folky melodies that perfectly evoke the atmosphere of the tranquil river bank, and faster passages for the more frantic scenes.

This production of The Wind in the Willows is an enjoyable show for all the family – escape the cold streets of London and take a trip down the river with Ratty and friends.

The Wind in the Willows continues until February 1st 2014, more information and book here.

Sounds of Fairmont at Abbey Road

I am a big fan of luxury hotels and an even bigger fan of music so the announcement that Abbey Road Studios would be partnering up with Fairmont Hotels and Resorts was very exciting. As part of the partnership, guests of Fairmont Hotels & Resorts will have the chance to experience once-in-a-lifetime opportunities from behind-the-scenes studio visits to recording a song at Abbey Road Studios, as well as exclusive discounts and offers on Abbey Road products and services.

The partnership extends Fairmont’s relationship with EMI Music, the owners of the Studios, which already makes possible guest access to bestselling EMI artists through a variety of channels including the luxury hotel brand’s “Sounds of Fairmont” program – where new and emerging artists perform live at select properties around the world. One of the first elements of the new partnership is collaboration between Abbey Road Studios and The Savoy, a Fairmont managed hotel.  Following up on the most ambitious hotel restoration in British history in late 2010, the team at The Savoy are working closely with Abbey Road on a refurbishment of the Studios’ lounges.  The project aims to bring The Savoy’s style, luxury and timeless elegance to the Studios.

To celebrate the collaboration of these wonderful brands I joined a crowd of guests for a cocktail party at Abbey Road, with delicious canapes and champagne beforehand at The Savoy. Jessie Ware played a set featuring tracks from her new album whilst we admired our iconic surroundings. It was a brilliant night showcasing how well suited these famous brands are… I can’t wait to see and hear what comes next.

Read more about the Sounds of Fairmont here.

Mamma Mia, Broadhurst Theatre, New York

The Broadway scene is booming since, despite the vast expense, it is often a must on any tourist’s itinerary. There are plenty of shows to choose from, some are easier to get tickets for than others. If you’re interested in Book of Mormon, Matilda or Kinky Boots, prepare to beg, borrow or steal a ticket because otherwise you won’t get a seat. Prices reflect popularity and trends.

Mamma Mia is one of the few famous musicals I have never seen, so I enthusiastically took the opportunity to see the show in New York. This feel-good musical is currently on stage at the Broadhurst Theatre, one of the many glittering establishments amongst the bright lights of Times Square.

This classic ABBA musical, with music and lyrics by Benny Andersson and Bjorn Ulvaeus, is a back-to-back medley of the familiar 80s songs. You can’t help but sing along. The production itself is unspectacular, the set feels tired and the volume from the singers needs a boost. I wanted to be blown away by this big Broadway show, but I just wasn’t.

The orchestra seem to enjoy the upbeat score, conducted by a cheerful Wendy Bobbitt Cavett. Judy McLane succeeds vocally as Donna Sheridan but doesn’t engage well with the audience, her eyes have a glazed look and dramatically she is rather robotic. Laurie Veldheer is better as the daughter, Sophie, and her friends provide some comedy.

Since the film hit the big screen, Mamma Mia the musical has struggled to be as impressive on stage and sadly the current Broadway cast seem resigned to their inferior position.

Thanks to NYC & Co and The Broadway Collection.
More information: http://www.broadwaycollection.com/ (@BwayCollection)

Visitors need to book via a UK tour operator:  www.attraction-tickets-direct.co.uk