The explosive Miles Aldridge retrospective at Somerset House is one of two shows of this photographer’s work in London over the summer, displaying large-scale prints from throughout his career as well as more modest evidence of his artistic vision.
Tickets cost £6, which seems cheap, but there are only two rooms to see. Aldridge has two obsessions: women and colour. Both these concerns are seen in almost every work, each more powerful than the last. Interestingly my favourite shot was absent of any female protagonist, instead it pictures a broken egg yolk scorched by a cigarette butt. Disturbed by his parents’ divorce, the female figures have a vacant but dominant expression, they own their disastrous and destructive scenes.
Aside from the vivacious prints, we enjoyed being observers of Aldridge’s thought processes. One cabinet displays repetitive Polaroid shots, a method used by the artist to ensure the perfect poise and pose. Considering his contemporary images and style, it was interesting to discover his traditional technical approach – he never uses digital film.
Presentation is as wacky and bold as Aldridge himself; each wall is painted a different hue from creamy turquoise to neon pink. This design decision makes the work really vibrant and revives a Pop Art aesthetic.
Short, sweet, and sexy, this is a strong selection of Miles Aldridge photographs. The exhibition continues at Somerset House until 29th September and a signed book of the work, published by Rizzoli, is available to buy from the shop – a memory of this explosive exhibition.
More information here: www.somersethouse.org.uk/visual-arts/miles-aldridge-i-only-want-you-to-love-me







