Wicked, Apollo Victoria Theatre

Wicked is a show that is suitable for the whole family but is perhaps more geared towards kids, and particularly those with an over-active imagination. This was my second visit to Stephen Schwartz’s hit musical and it felt even more bizarre than the first time and yet I cannot help but revel in the colourful production and wonderfully dramatic score.

It is imperative that you read up on the Wizard of Oz otherwise the narrative will be completely foreign to you. Those in the know will delight at the nuanced and intelligent quirks of this tale. In short, it is the untold story of the witches of Oz.

The show has been running for a while now and the cast perform together fluently and naturally. They make an unbelievable narrative almost believable. Main roles Glinda (Gina Beck) and Elphaba (Louise Dearman) are performed with great vigour and impressive stamina, however I found Ben Freeman to be less convincing as the powerful Fiyero.

For me, it is the music that makes this production so successful. At university I learnt and performed many of the songs, and have fond memories of the catchy melodies, compulsive rhythms and unexpectedly satisfying harmonies. Songs such as “Defying Gravity” have become a phenomenon outside the show and is often featured on karaoke lists, a firm favourite for showcasing divas. But there are other lesser known numbers which are just as good – “Loathing” and “One Short Day” are favourites of mine, the scrunching harmonies are impossible not to sing along to (sorry to the people sitting on my row!).

There is no doubt about it, Wicked is a brilliant night out for all the family, but will appeal most to those who go to the theatre for a dose of escapism, it certainly fires the imagination.

More information on the show here.

Book the best tickets here: http://www.showsinlondon.co.uk/show/wicked, starting from just £18.

Derren Brown, Infamous

Derren Brown is a wonder, a marvel… a phenomenal human being.

I spent my teenage years cynically mocking my magic-keen brothers and dad as they watched Brown’s shows in amazement, and now, 10 years on, I am in an entirely different predicament – how are these tricks possible?

Infamous is currently on tour around the country. I was lucky enough to see it on stage at the Palace Theatre in London. The auditorium was full of eager spectators and fans. We all watched Derren for over two hours as he put his mentalist mind to work stunning us all. He is wonderfully charismatic on stage and is utterly addictive to witness. Over the evening he performed a variety of tricks each showcasing a different talent. From more logical, deceiving card scams, to ominous medium work. He completed the show with a finale of ‘Dick Brain’ challenges, each more impossible than the last.

I am not able or allowed to divulge further details of this eerily brilliant show, but I would urge you to pay Derren Brown a visit… he is truly one in a million.

Book tickets here.

Punchdrunk, The Drowned Man, Paddington

Punchdrunk is causing quite a stir. The latest production from this sensational immersive theatre company is called The Drowned Man and is taking place in a disused Paddington warehouse.

Don’t wear your work suit to this performance, you will feel truly out of place amongst the drama hungry punters and will be horrendously hot and uncomfortable after three hours of roaming around. Conveniently for commuters, this show is literally seconds away from Paddington tube station. Ticketholders are instructed to arrive at a certain timeslot – and ticket prices depend on this factor.

I won’t give too much away… the story unfolds in a random fashion, through bursts of activity that you will witness at different times in different places. A large cast of characters interact with the transformed building, and move fluidly over the floors… intrigued audience members rush closely behind, desperate to grasp a clue to piece together the story. You are given a short synopsis of characters at the start but this gives little insight.

Dressed in identical masks the audience are, as a unit, separated from the Punchdrunk actors. There may be some audience participation but on the whole the visitors are left to their own devices to make their own decisions and own discoveries. It is scary, and amazingly detailed, you really are entering another world, a world where a cabaret show, sandy landscape, filmset and woody forest all exist under one roof.

Performances are booking until 30 December. Start times are Tuesday-Thursday 10pm, Friday/Saturday 8pm and 12 midnight, Sunday 8pm with six arrival times for each performance in 10 minute intervals. Show lasts up to three hours. Tickets: from £47.50 / £19.50. For more information and to book see the National Theatre website.