The London Firebird Orchestra‘s 2014/15 season started on Tuesday night with the first of four concerts to take place over the next year. The programme boasted an array of the classical music world’s top Viennese waltz hits as well as a handful of charming German songs performed by soloist Silvia Hauer. George Jackson made his conducting debut with the orchestra and, having just come back from studying in Vienna, the theme of the evening was very fitting. It was also Jacqueline Martens first time as leader of the London Firebird Orchestra, making it a trifecta of new faces to the London Firebird stage.
The London Firebird Orchestra, set up in 2012 by Marc Corbett-Weaver, is the answer to where recently graduated music conservatoire students go to play in the terrifying ‘what now’ gap after leaving education and before securing a seat in one of London’s established orchestras . The young group of musicians create an energy that only a young dynamic orchestra can provide. The collective youth of the orchestra was sometimes visible in the occasionally tentative playing, but generally, the group held their own under the excellent direction of Mr Jackson. Though the programme’s unvaried material was not adventurous, the instrumentalists, most especially the wind sections, thrived on the notoriously tricky syncopated rhythm of the Viennese waltzes. I will take this opportunity to commend Alisdair Hill (oboe), Samantha Pearce (flute) and James Meldrum (clarinet) for their excellent playing, both in the ensemble and solo passages. The orchestra in general appeared to grow more confident as the evening went on and by the end of the concert the atmosphere was buzzing with Viennese whirls and flourishes.
It must be said that the real star of the evening was Silvia Hauer, the mezzo-soprano soloist. Her charisma and excellent stage presence punctuated the evening, providing respite from the heavier instrumental waltzes. The programme of songs enabled Ms Hauer to showcase her superb singing and also her wonderful acting ability, going from a passionate Carmen in Bizet’s ‘L’amour est un oiseau rebelle’ to a hilarious drunkard in Strauss’ ‘Schwipslied’ from ‘Eine nacht in Venedig’.
The rest of the programme also contained some highlights, from the tradition of the instrumentalists singing in the Bauern Polka by Strauss, to the comical homage to the original performance of Haydn’s ‘Farewell’ movement of his Symphony no. 45 in F-sharp minor, in which members of the orchestra would gradually get up and walk off eventually leaving only two violinists and the conductor on stage. These fun touches and the double encore at the end, complete with audience participation in the form of clapping (expertly conducted by Mr Jackson) were the components to a satisfying and pleasant evening of famous Viennese music at the Actor’s Church of Covent Garden. You can catch the London Firebird Orchestra at their next concert on the 8th of February 2015 at their King’s Place debut where they will be playing a varied repertoire of classical composers.
More information on the London Firebird Orchestra here.
Written by Thoroughly Modern Missy, Angelica Bomford.